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Colin Jost’s first time meeting Scarlett Johansson was straight out of a rom-com.

The now-engaged couple was introduced when Jost, then in his first year at “Saturday Night Live,” wrote a sketch that Johansson, who was hosting the show for the first time, appeared in.

The sketch was a parody of MTV’s “My Super Sweet Sixteen,” writes Jost, 38, in his new memoir, “A Very Punchable Face.”

“She claims that she remembers thinking I was ‘cute’ but I know what I looked like and that’s not the word I would have used. (‘Shaggy’ would have been more generous. ‘Slovenly’ would have been more accurate),” he writes.
“I remember her being beautiful, smart, sweet, and intimidatingly sophisticated,” he continues. “And she had a grace and a smile that I’ve still never seen in any other human.”

The Staten Island native only briefly mentions his fiancée in the tome but does endearingly say, “I’ve met someone I love and who I feel more comfortable with than I ever have before.”

He also saves his final acknowledgment for the “Avengers” actress, writing, “Thank you to Scarlett for being my first reader and for always protecting me from my worst instincts. Remember that Mexican mask I tried to put in our living room? Thanks for stopping me from doing that.”

Last year, Jost and Johansson, 35, announced their engagement after quietly dating for two years. It will be the third marriage for the Oscar-nominated actress. She was previously wed to Ryan Reynolds and French ad exec Romain Duariac, with whom she shares a 5-year-old daughter, Rose.


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When Saturday Night Live aired its first remote episode during quarantine in early April, it’s probably safe to say that nobody on the show predicted the star that was about to be born. That star, of course, was the acoustic guitar casually resting on the couch behind Colin Jost during “Weekend Update,” which jumped from obscurity to becoming everyone’s favorite new SNL character within an instant. (Julie Klausner, for example, made it her new Zoom background.) The new SNL star burned too brightly, however, and the guitar’s time in the spotlight ended as quickly as it began when SNL retooled “Weekend Update” with green screens for the next remote episode. The guitar was gone, but never forgotten. And now we have official confirmation that it belongs to Jost’s fiancée, Scarlett Johansson.

Jost briefly addressed the guitar in a new interview with the New York Times that’s out today to promote his memoir, A Very Punchable Face, which will be available on July 14 (it was delayed from its original April release due to the pandemic). “Scarlett had that guitar forever and it was in the quarantine,” Jost said. “She was like, ‘Maybe I should learn how to play,’ and just left it on the couch. It was so perfectly framed there and then everyone pointed it out and I was like, how can I be so dumb? I had no awareness of it at all.”

The SNL co-head writer had previously addressed the guitar on Instagram in April. “My favorite observation from last episode, even among my fellow cast members, was: ‘Great job including the guitar, douchebag,’” he wrote. “This might sound incomprehensible but I did not know it was on the couch, let alone perfectly framed behind me. I have never, nor do I pretend to play, the guitar. Nor do I physically understand how it works. I just Mr Magoo’ed into having a guitar behind me.”


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When cinemas reopen and the movie business is able to get back on its feet, the Marvel Cinematic Universe will be ready to propel itself into the long-awaited Phase 4 – taking the superhero saga into an exciting post-Avengers: Endgame world. And the film to kick it all off is Black Widow, Scarlett Johansson’s overdue solo adventure, which will launch the franchise into its future by looking back into its past. Speaking to Empire for the upcoming Big-Screen Preview issue – on sale Thurs 9 July – director Cate Shortland spoke about that interesting dichotomy, hinting that while Black Widow is a last hurrah for Johansson, things are only just beginning for Florence Pugh’s incoming Yelena.

“[Kevin Feige] realised that the audience would expect an origin story so, of course, we went in the opposite direction,” Shortland tells Empire. “And we didn’t know how great Florence Pugh would be. We knew she would be great, but we didn’t know how great. Scarlett is so gracious, like, ‘Oh, I’m handing her the baton.’ So it’s going to propel another female storyline.”

If it sounds, then, that Black Widow will tee up more to come from Pugh’s Yelena, it will also be a chance for the audience to fully process Natasha’s tragic sacrifice on Vormir. “In Endgame, the fans were upset that Natasha did not have a funeral. Whereas Scarlett, when I spoke to her about it, said Natasha wouldn’t have wanted a funeral,” explains Shortland. “She’s too private, and anyway, people don’t really know who she is. So what we did in this film was allow the ending to be the grief the individuals felt, rather than a big public outpouring. I think that’s a fitting ending for her.”